When it involves ending up being an excellent jazz improviser, it's everything about learning jazz language. So unlike the 'half-step below method' (which can be outside the scale), when coming close to from above it appears far better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale over' method - it stays in the scale.
If you're playing in C dorian range, the incorrect notes (absent notes) will be C# E F# G # B (or the notes of E significant pentatonic range). Half-step listed below - chord scale over - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation methods for jazz piano (or any tool).
For this to work, it requires to be the next note up within the scale that the music remains in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note length (fifty percent note, quarter note, eighth note) - but when soloing, it's generally put on eighth notes.
Merely precede any kind of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the entire colorful range), and make note of all the notes that aren't in your existing scale. Cm7 expression (7 9 3 5) with single melody note (C) played to interesting rhythm.
Currently you could play this 5 note range (the wrong notes) over the same C minor 7 chord in your left hand. With this technique you just play the exact same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
The majority of jazz piano improvisation piano solos include a section where the melody stops, and the pianist plays a collection of chord enunciations, to an intriguing rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and more.
If you're playing in C dorian range, the incorrect notes (absent notes) will be C# E F# G # B (or the notes of E significant pentatonic range). Half-step listed below - chord scale over - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation methods for jazz piano (or any tool).
For this to work, it requires to be the next note up within the scale that the music remains in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note length (fifty percent note, quarter note, eighth note) - but when soloing, it's generally put on eighth notes.
Merely precede any kind of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the entire colorful range), and make note of all the notes that aren't in your existing scale. Cm7 expression (7 9 3 5) with single melody note (C) played to interesting rhythm.
Currently you could play this 5 note range (the wrong notes) over the same C minor 7 chord in your left hand. With this technique you just play the exact same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
The majority of jazz piano improvisation piano solos include a section where the melody stops, and the pianist plays a collection of chord enunciations, to an intriguing rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and more.
