Prepared to enhance your Jazz Piano Improvisation Techniques improvisation abilities for the piano? A lot more simply, if you're playing a song that's in swing time, after that you're already playing to a triplet feeling (you're imagining that each beat is separated right into 3 8th note triplets - and every off-beat you play is postponed and played on the 3rd triplet note (so you're not even playing 2 equally spaced 8th notes to start with).
So as opposed to playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can divide that quarter note into three '8th note triplet' notes - where each note of the triplet coincides size. The very first improvisation strategy is 'chord tone soloing', which suggests to make up tunes using the 4 chord tones of the chord (1 3 5 7).
I typically play all-natural 9ths above many chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds finest if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the audience hears the melody note on the top.
Simply come before any type of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the whole colorful range), and make note of all the notes that aren't in your existing scale. Cm7 voicing (7 9 3 5) with single tune note (C) played to fascinating rhythm.
Now you can play this 5 note range (the wrong notes) over the very same C minor 7 chord in your left hand. With this strategy you just play the exact same notes that you're currently playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
A lot of jazz piano solos feature an area where the tune stops, and the pianist plays a series of chord enunciations, to an interesting rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.
So as opposed to playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can divide that quarter note into three '8th note triplet' notes - where each note of the triplet coincides size. The very first improvisation strategy is 'chord tone soloing', which suggests to make up tunes using the 4 chord tones of the chord (1 3 5 7).
I typically play all-natural 9ths above many chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds finest if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the audience hears the melody note on the top.
Simply come before any type of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the whole colorful range), and make note of all the notes that aren't in your existing scale. Cm7 voicing (7 9 3 5) with single tune note (C) played to fascinating rhythm.
Now you can play this 5 note range (the wrong notes) over the very same C minor 7 chord in your left hand. With this strategy you just play the exact same notes that you're currently playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
A lot of jazz piano solos feature an area where the tune stops, and the pianist plays a series of chord enunciations, to an interesting rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.