When it concerns becoming a terrific jazz improviser, Bookmarks it's everything about finding out jazz language. So unlike the 'half-step below approach' (which can be outside the range), when approaching from over it appears better when you keep your notes within the scale that you remain in. That's why it's called the 'chord scale above' strategy - it stays in the scale.

If you're playing in C dorian scale, the wrong notes (missing notes) will certainly be C# E F# G # B (or the notes of E significant pentatonic range). Half-step listed below - chord scale over - target note (e.g. C# - E - D). In this article I'll show you 6 improvisation strategies for jazz piano (or any instrument).

I usually play all-natural 9ths above the majority of chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' sounds best if you play your right hand noisally, and left hand (chord) a bit more quiet - to make sure that the listener listens to the melody note on top.

Simply come before any type of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (via the whole chromatic range), and make note of all the notes that aren't in your current scale. Cm7 enunciation (7 9 3 5) with solitary tune note (C) played to fascinating rhythm.

Currently you can play this 5 note scale (the incorrect notes) over the very same C minor 7 chord in your left hand. With this method you just play the exact same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

Many jazz piano solos include a section where the melody quits, and the pianist plays a series of chord enunciations, to a fascinating rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.