Whereas way more lush, dense and shady than its early planting seems because of further plantings in all probability from the 1980s/90s, the mature backyard retains its general character with a Mediterranean/ Hollywood/Islamic flavour and a mixture of palms, cypresses, dense tree and English flower planting. The avocado appears to be in serious decline. These collections were transferred to the Macleayan Museum on the University of Sydney in 1888. William John Macleay constructed a building for the Linnean Society of NSW on an adjacent block in 1885. Several timber which can date from the grounds of the Linnean Corridor remain right now - some on Boomerang embrace an previous avocado tree (Persea gratissima) and a large mango tree (Mangifera indica) on the external southern (streetside) entrance wall on the SE aspect of the entry gate. External walls have iron grilles in "portholes" of various shapes, with picket or iron grille gates (two for vehicular entry), and Mini projectors for presentations one picket gate for pedestrian entry off Billyard Avenue.

Also probably from this time/Macleay ownership period is a big camellia (C.japonica) in entrance garden on the west facet of carriage drive near gate (this tree/shrub is a minimum of 1920s, probably older, and the Macleays were noted Camellia fans/hybridisers at Camden Park property). Many landscape details stay intact from the 1926 authentic, together with multicoloured herringbone brick paving carriage loop and different brick/tile/concrete paving, sandstone loopy paved base to sundial and benches, wrought iron railings, fences and gates, colonnaded courtyard to west, service courtyard to east, matching sandstone benches on the northern lawn, sandstone and bronze sundial, square Moorish concrete and multicoloured ceramic tile planter tubs north of the house on the terrace, authentic plastered partitions with window grills, doors (e.g.: to south avenue side, to the north east to former tennis court docket now public park), former tennis court sheds hooked up to walls (now within public park), northern terrace, commonplace steel pole lights throughout, sandstone steps to northern lawn, SE nook colonnaded pergola in iron and timber, boatshed/home/studio (now a part of neighbouring property), sea wall, jetty, ceramic tiled and sandstone ponds, fountains (one in courtyard to south, one other in courtyard to west, one on entrance lobby wall with Aboriginal face), terrazzo steps (to western courtyard, to northern terrace, in porte cochere.

A large city residential backyard, the structure of the garden is outlined by the built components, in particular the walls, entry drive in herringbone brick, Mini projectors for presentations courtyards (e.g.: cloister garden to the west with crazy paving in sandstone), terraces in herringbone brick, ponds (a large rectangular sunken pool in the front backyard lined with glazed ceramic blue tiles, a smaller circular sunken pool near the entry portico in multicoloured ceramic mosaic) and exterior spaces of the backyard. The 4 crazy paved paths that led to the previous sundial are gone, although the sundial base and benches bases still use sandstone loopy paving. Other estate stays elsewhere include a grotto (half natural sandstone cliff overhang, half carved niche and particulars, and sections of an elaborate sandstone steps and a retaining wall and balustrade, behind (south) of Art Deco flats throughout (south of) Billyard Avenue. This allowed him to build his Macleayan Museum for his pure history collections, which had been beforehand saved in Elizabeth Bay House.

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