It's all about learning jazz piano standards for beginners language when it comes to becoming a wonderful jazz improviser. So unlike the 'half-step listed below technique' (which can be outside the scale), when approaching from over it seems better when you maintain your notes within the range that you're in. That's why it's called the 'chord range above' technique - it stays in the scale.
So instead of playing 2 eight notes straight, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet coincides size. The very first improvisation technique is 'chord tone soloing', which means to make up melodies making use of the four chord tones of the chord (1 3 5 7).
For this to work, it needs to be the next note up within the range that the music is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note length (fifty percent note, quarter note, 8th note) - but when soloing, it's typically applied to 8th notes.
It's fine for these enclosures ahead out of scale, as long as they end up dealing with to the 'target note' - which will usually be one of the chord tones. The 'chord scale above' strategy - come before any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play three evenly spaced notes in the space of 2.
Now you might play this 5 note range (the incorrect notes) over the same C minor 7 chord in your left hand. With this strategy you just play the exact same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos feature an area where the tune stops, and the pianist plays a collection of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.
So instead of playing 2 eight notes straight, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet coincides size. The very first improvisation technique is 'chord tone soloing', which means to make up melodies making use of the four chord tones of the chord (1 3 5 7).
For this to work, it needs to be the next note up within the range that the music is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note length (fifty percent note, quarter note, 8th note) - but when soloing, it's typically applied to 8th notes.
It's fine for these enclosures ahead out of scale, as long as they end up dealing with to the 'target note' - which will usually be one of the chord tones. The 'chord scale above' strategy - come before any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play three evenly spaced notes in the space of 2.
Now you might play this 5 note range (the incorrect notes) over the same C minor 7 chord in your left hand. With this strategy you just play the exact same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos feature an area where the tune stops, and the pianist plays a collection of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.