It's all regarding finding out jazz language when it comes to coming to be an excellent jazz improviser. So unlike the 'half-step listed below technique' (which can be outside the scale), when coming close to from above it seems far better when you keep your notes within the range that you're in. That's why it's called the 'chord scale over' approach - it remains in the scale.
So instead of playing 2 8 notes straight, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation strategy is 'chord tone soloing', which indicates to make up melodies making use of the four chord tones of the chord (1 3 5 7).
I typically play all-natural 9ths above most chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' sounds finest if you play your right-hand man noisally, and left hand (chord) a little bit quieter - to make sure that the listener hears the melody note on the top.
It's great for these enclosures to find out of scale, as long as they wind up resolving to the 'target note' - which will normally be just one of the chord tones. The 'chord range over' approach - precede any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 uniformly spaced notes in the area of 2.
Currently you can play this 5 note scale (the incorrect notes) over the very same C small 7 chord in your left hand. With this strategy you just play the very same notes that you're currently playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
Many jazz Piano techniques piano solos include a section where the melody quits, and the pianist plays a collection of chord expressions, to an interesting rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
So instead of playing 2 8 notes straight, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation strategy is 'chord tone soloing', which indicates to make up melodies making use of the four chord tones of the chord (1 3 5 7).
I typically play all-natural 9ths above most chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' sounds finest if you play your right-hand man noisally, and left hand (chord) a little bit quieter - to make sure that the listener hears the melody note on the top.
It's great for these enclosures to find out of scale, as long as they wind up resolving to the 'target note' - which will normally be just one of the chord tones. The 'chord range over' approach - precede any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 uniformly spaced notes in the area of 2.
Currently you can play this 5 note scale (the incorrect notes) over the very same C small 7 chord in your left hand. With this strategy you just play the very same notes that you're currently playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
Many jazz Piano techniques piano solos include a section where the melody quits, and the pianist plays a collection of chord expressions, to an interesting rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.