When it comes to ending up being a great jazz improviser, it's everything about discovering jazz language. So unlike the 'half-step listed below method' (which can be outside the range), when approaching from over it appears far better when you keep your notes within the range that you're in. That's why it's called the 'chord scale above' approach - it remains in the scale.
So instead of playing two eight notes in a row, Bookmarks which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same length. The first improvisation strategy is 'chord tone soloing', which indicates to compose tunes making use of the 4 chord tones of the chord (1 3 5 7).
For this to function, it needs to be the next note up within the scale that the songs remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be applied to any kind of note length (half note, quarter note, eighth note) - yet when soloing, it's generally put on eighth notes.
It's fine for these units to find out of scale, as long as they end up settling to the 'target note' - which will usually be among the chord tones. The 'chord scale above' strategy - come before any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the area of 2.
Now you might play this 5 note range (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this technique you just play the exact same notes that you're already playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).
NOTE: You also obtain a wonderful collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a short range in your solo. However, to stop your having fun from appearing predictable (and burst out of 8th note pattern), you require to vary the rhythms every now and then.
So instead of playing two eight notes in a row, Bookmarks which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same length. The first improvisation strategy is 'chord tone soloing', which indicates to compose tunes making use of the 4 chord tones of the chord (1 3 5 7).
For this to function, it needs to be the next note up within the scale that the songs remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be applied to any kind of note length (half note, quarter note, eighth note) - yet when soloing, it's generally put on eighth notes.
It's fine for these units to find out of scale, as long as they end up settling to the 'target note' - which will usually be among the chord tones. The 'chord scale above' strategy - come before any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the area of 2.
Now you might play this 5 note range (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this technique you just play the exact same notes that you're already playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).
NOTE: You also obtain a wonderful collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a short range in your solo. However, to stop your having fun from appearing predictable (and burst out of 8th note pattern), you require to vary the rhythms every now and then.