When it involves ending up being a wonderful jazz improviser, it's everything about discovering jazz piano techniques language. So unlike the 'half-step listed below approach' (which can be outside the scale), when coming close to from over it seems far better when you maintain your notes within the scale that you're in. That's why it's called the 'chord range over' method - it stays in the scale.

So rather than playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation method is 'chord tone soloing', which means to compose melodies utilizing the four chord tones of the chord (1 3 5 7).

I usually play all-natural 9ths above many chords - including all 3 chords of the major ii-V-I. This 'chordal texture' seems best if you play your right-hand man loudly, and left hand (chord) a bit more quiet - to make sure that the audience hears the melody note ahead.

Just precede any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (with the entire colorful scale), and make note of all the notes that aren't in your existing range. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.

Currently you can play this 5 note scale (the incorrect notes) over the same C minor 7 chord in your left hand. With this strategy you simply play the exact same notes that you're currently playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

A lot of jazz piano solos include a section where the melody stops, and the pianist plays a series of chord voicings, to an intriguing rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.