It's all regarding finding out jazz language when it comes to ending up being a great jazz piano improvisation book improviser. So unlike the 'half-step below method' (which can be outside the range), when coming close to from above it sounds much better when you maintain your notes within the scale that you're in. That's why it's called the 'chord range above' method - it remains in the scale.
So rather than playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet coincides size. The very first improvisation method is 'chord tone soloing', which means to compose tunes utilizing the 4 chord tones of the chord (1 3 5 7).
I typically play all-natural 9ths above the majority of chords - including all 3 chords of the major ii-V-I. This 'chordal structure' sounds finest if you play your right-hand man noisally, and left hand (chord) a bit quieter - to ensure that the audience listens to the melody note on the top.
It's great for these units to come out of scale, as long as they end up settling to the 'target note' - which will normally be just one of the chord tones. The 'chord range over' method - precede any type of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play 3 equally spaced notes in the area of 2.
Currently you might play this 5 note scale (the wrong notes) over the same C minor 7 chord in your left hand. With this strategy you simply play the very same notes that you're already playing in the chord. Chord scale over - half-step below - target note (e.g. E - C# - D).
Many jazz piano solos feature a section where the tune quits, and the pianist plays a collection of chord enunciations, to an interesting rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal structures', 'playing out' and more.
So rather than playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet coincides size. The very first improvisation method is 'chord tone soloing', which means to compose tunes utilizing the 4 chord tones of the chord (1 3 5 7).
I typically play all-natural 9ths above the majority of chords - including all 3 chords of the major ii-V-I. This 'chordal structure' sounds finest if you play your right-hand man noisally, and left hand (chord) a bit quieter - to ensure that the audience listens to the melody note on the top.
It's great for these units to come out of scale, as long as they end up settling to the 'target note' - which will normally be just one of the chord tones. The 'chord range over' method - precede any type of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play 3 equally spaced notes in the area of 2.
Currently you might play this 5 note scale (the wrong notes) over the same C minor 7 chord in your left hand. With this strategy you simply play the very same notes that you're already playing in the chord. Chord scale over - half-step below - target note (e.g. E - C# - D).
Many jazz piano solos feature a section where the tune quits, and the pianist plays a collection of chord enunciations, to an interesting rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal structures', 'playing out' and more.