Ready to boost your jazz improvisation skills for the piano? More merely, if you're playing a track that's in swing time, after that you're currently playing to a triplet feel (you're picturing that each beat is separated into 3 eighth note triplets - and every off-beat you play is postponed and used the 3rd triplet note (so you're not even playing 2 uniformly spaced 8th notes to start with).
So instead of playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet coincides size. The initial improvisation technique is 'chord tone soloing', which suggests to make up tunes using the four chord tones of the chord (1 3 5 7).
I typically play natural 9ths above a lot of chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' appears ideal if you play your right-hand man loudly, and left hand (chord) a bit quieter - to ensure that the listener listens to the melody note on the top.
It's fine for these rooms to find out of range, as long as they end up resolving to the 'target note' - which will typically be among the chord tones. The 'chord range over' approach - precede any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 uniformly spaced notes in the space of 2.
Jazz artists will certainly play from a wide array of pre-written melodious shapes, which are positioned prior to a 'target note' (usually a chord tone, Bookmarks 1 3 5 7). Initially let's develop the 'appropriate notes' - normally I would certainly play from the dorian range over minor 7 chord.
KEEP IN MIND: You also get a great collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a short scale in your solo. However, to stop your playing from sounding foreseeable (and burst out of eighth note pattern), you need to vary the rhythms every now and then.
So instead of playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet coincides size. The initial improvisation technique is 'chord tone soloing', which suggests to make up tunes using the four chord tones of the chord (1 3 5 7).
I typically play natural 9ths above a lot of chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' appears ideal if you play your right-hand man loudly, and left hand (chord) a bit quieter - to ensure that the listener listens to the melody note on the top.
It's fine for these rooms to find out of range, as long as they end up resolving to the 'target note' - which will typically be among the chord tones. The 'chord range over' approach - precede any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 uniformly spaced notes in the space of 2.
Jazz artists will certainly play from a wide array of pre-written melodious shapes, which are positioned prior to a 'target note' (usually a chord tone, Bookmarks 1 3 5 7). Initially let's develop the 'appropriate notes' - normally I would certainly play from the dorian range over minor 7 chord.
KEEP IN MIND: You also get a great collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a short scale in your solo. However, to stop your playing from sounding foreseeable (and burst out of eighth note pattern), you need to vary the rhythms every now and then.