It's all regarding finding out jazz language when it comes to becoming an excellent jazz improviser. So unlike the 'half-step below method' (which can be outside the range), Bookmarks when approaching from over it seems better when you maintain your notes within the scale that you remain in. That's why it's called the 'chord scale above' method - it remains in the range.
So rather than playing 2 eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet coincides length. The first improvisation strategy is 'chord tone soloing', which implies to make up tunes using the 4 chord tones of the chord (1 3 5 7).
For this to function, it requires to be the next note up within the scale that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note length (half note, quarter note, 8th note) - yet when soloing, it's usually related to eighth notes.
Merely precede any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the entire colorful scale), and make note of all the notes that aren't in your existing scale. Cm7 expression (7 9 3 5) with solitary tune note (C) played to intriguing rhythm.
Jazz artists will certainly play from a wide variety of pre-written melodic shapes, which are placed prior to a 'target note' (generally a chord tone, 1 3 5 7). First let's develop the 'proper notes' - typically I 'd play from the dorian scale over minor 7 chord.
KEEP IN MIND: You likewise get a nice series of actions to play, from 7 - 1 - 9 - 3 - if you intend to play a short scale in your solo. However, to stop your playing from seeming foreseeable (and burst out of eighth note pattern), you need to vary the rhythms once in a while.
So rather than playing 2 eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet coincides length. The first improvisation strategy is 'chord tone soloing', which implies to make up tunes using the 4 chord tones of the chord (1 3 5 7).
For this to function, it requires to be the next note up within the scale that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note length (half note, quarter note, 8th note) - yet when soloing, it's usually related to eighth notes.
Merely precede any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the entire colorful scale), and make note of all the notes that aren't in your existing scale. Cm7 expression (7 9 3 5) with solitary tune note (C) played to intriguing rhythm.
Jazz artists will certainly play from a wide variety of pre-written melodic shapes, which are placed prior to a 'target note' (generally a chord tone, 1 3 5 7). First let's develop the 'proper notes' - typically I 'd play from the dorian scale over minor 7 chord.
KEEP IN MIND: You likewise get a nice series of actions to play, from 7 - 1 - 9 - 3 - if you intend to play a short scale in your solo. However, to stop your playing from seeming foreseeable (and burst out of eighth note pattern), you need to vary the rhythms once in a while.