When it involves coming to be a wonderful jazz improviser, it's everything about discovering jazz language. So unlike the 'half-step listed below method' (which can be outside the scale), when coming close to from above it appears far better when you maintain your notes within the range that you remain in. That's why it's called the 'chord range above' technique - it remains in the range.
So as opposed to playing 2 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation strategy is 'chord tone soloing', which indicates to compose melodies using the four chord tones of the chord (1 3 5 7).
I usually play natural 9ths over the majority of chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds ideal if you play your right-hand man loudly, and left hand (chord) a bit quieter - to ensure that the audience hears the melody note on the top.
It's fine for these rooms to come out of range, as long as they wind up resolving to the 'target note' - which will normally be one of the chord tones. The 'chord range above' strategy - come before any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play 3 equally spaced notes in the area of 2.
Currently you can play this 5 note scale (the wrong notes) over the very same C minor 7 chord in your left hand. With this method you simply play the very same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos include a section where the melody quits, and the pianist plays a collection of chord enunciations, to a fascinating rhythm. These consist of chord tone soloing, Bookmarks (Protopage explains) approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.
So as opposed to playing 2 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation strategy is 'chord tone soloing', which indicates to compose melodies using the four chord tones of the chord (1 3 5 7).
I usually play natural 9ths over the majority of chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds ideal if you play your right-hand man loudly, and left hand (chord) a bit quieter - to ensure that the audience hears the melody note on the top.
It's fine for these rooms to come out of range, as long as they wind up resolving to the 'target note' - which will normally be one of the chord tones. The 'chord range above' strategy - come before any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play 3 equally spaced notes in the area of 2.
Currently you can play this 5 note scale (the wrong notes) over the very same C minor 7 chord in your left hand. With this method you simply play the very same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos include a section where the melody quits, and the pianist plays a collection of chord enunciations, to a fascinating rhythm. These consist of chord tone soloing, Bookmarks (Protopage explains) approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.
