It's all concerning discovering jazz language when it comes to becoming a wonderful jazz improviser. So unlike the 'half-step listed below method' (which can be outside the range), when coming close to from above it sounds far better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale above' technique - it stays in the range.

So as opposed to playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into three 'eighth note triplet' notes - where each note of the triplet coincides size. The very first improvisation method is 'chord tone soloing', which suggests how to learn jazz piano improvisation make up tunes making use of the four chord tones of the chord (1 3 5 7).

I usually play all-natural 9ths over many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' sounds ideal if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the audience hears the melody note on the top.

Just precede any kind of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (with the entire colorful scale), and make note of all the notes that aren't in your current scale. Cm7 voicing (7 9 3 5) with single melody note (C) played to intriguing rhythm.

Now you might play this 5 note scale (the incorrect notes) over the same C small 7 chord in your left hand. With this strategy you simply play the exact same notes that you're currently playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

A lot of jazz piano solos include a section where the melody stops, and the pianist plays a collection of chord voicings, to an interesting rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and more.