All set to improve your jazz improvisation abilities for the piano? A lot more merely, if you're playing a track that's in swing time, after that you're currently playing to a triplet feel (you're thinking of that each beat is split into three eighth note triplets - and every off-beat you play is delayed and used the 3rd triplet note (so you're not also playing 2 uniformly spaced 8th notes to begin with).
So rather than playing 2 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three 'eighth note triplet' notes - where each note of the triplet coincides size. The first improvisation method is 'chord tone soloing', which suggests to make up melodies using the 4 chord tones of the chord (1 3 5 7).
I typically play all-natural 9ths above a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal texture' seems best if you play your right hand noisally, and left hand (chord) a little bit quieter - so that the audience listens to the melody note on the top.
It's great for these enclosures ahead out of scale, as long as they wind up dealing with to the 'target note' - which will typically be among the chord tones. The 'chord range over' method - precede any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three uniformly spaced notes in the space of two.
Now you can play this 5 note range (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this method you simply play the same notes that you're currently playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).
A lot of jazz piano improvisation sheet music piano solos feature a section where the tune quits, and the pianist plays a series of chord expressions, to an interesting rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.
So rather than playing 2 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three 'eighth note triplet' notes - where each note of the triplet coincides size. The first improvisation method is 'chord tone soloing', which suggests to make up melodies using the 4 chord tones of the chord (1 3 5 7).
I typically play all-natural 9ths above a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal texture' seems best if you play your right hand noisally, and left hand (chord) a little bit quieter - so that the audience listens to the melody note on the top.
It's great for these enclosures ahead out of scale, as long as they wind up dealing with to the 'target note' - which will typically be among the chord tones. The 'chord range over' method - precede any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three uniformly spaced notes in the space of two.
Now you can play this 5 note range (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this method you simply play the same notes that you're currently playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).
A lot of jazz piano improvisation sheet music piano solos feature a section where the tune quits, and the pianist plays a series of chord expressions, to an interesting rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.