When it comes to becoming an excellent jazz improviser, it's everything about discovering jazz piano standards for beginners language. So unlike the 'half-step listed below technique' (which can be outside the range), when coming close to from above it sounds far better when you maintain your notes within the scale that you remain in. That's why it's called the 'chord range over' method - it stays in the scale.
So instead of playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet coincides size. The first improvisation method is 'chord tone soloing', which suggests to compose tunes using the four chord tones of the chord (1 3 5 7).
I normally play all-natural 9ths over the majority of chords - including all 3 chords of the significant ii-V-I. This 'chordal texture' appears best if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the audience listens to the melody note on top.
Merely come before any chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (through the whole colorful scale), and make note of all the notes that aren't in your existing scale. Cm7 voicing (7 9 3 5) with solitary melody note (C) played to interesting rhythm.
Currently you might play this 5 note scale (the wrong notes) over the same C small 7 chord in your left hand. With this strategy you simply play the same notes that you're already playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).
The majority of jazz piano solos feature an area where the melody stops, and the pianist plays a series of chord voicings, to a fascinating rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
So instead of playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet coincides size. The first improvisation method is 'chord tone soloing', which suggests to compose tunes using the four chord tones of the chord (1 3 5 7).
I normally play all-natural 9ths over the majority of chords - including all 3 chords of the significant ii-V-I. This 'chordal texture' appears best if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the audience listens to the melody note on top.
Merely come before any chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (through the whole colorful scale), and make note of all the notes that aren't in your existing scale. Cm7 voicing (7 9 3 5) with solitary melody note (C) played to interesting rhythm.
Currently you might play this 5 note scale (the wrong notes) over the same C small 7 chord in your left hand. With this strategy you simply play the same notes that you're already playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).
The majority of jazz piano solos feature an area where the melody stops, and the pianist plays a series of chord voicings, to a fascinating rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
