It's all concerning learning jazz language when it comes to becoming a wonderful jazz improviser. So unlike the 'half-step below approach' (which can be outside the scale), when approaching from over it sounds far better when you maintain your notes within the scale that you remain in. That's why it's called the 'chord scale over' method - it remains in the range.
So as opposed to playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same size. The first improvisation technique is 'chord tone soloing', which means to make up tunes making use of the four chord tones of the chord (1 3 5 7).
I usually play all-natural 9ths over a lot of chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' seems ideal if you play your right-hand man noisally, and left hand (chord) a bit more quiet - to ensure that the audience hears the melody note on top.
Simply precede any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (with the whole chromatic scale), and make note of all the notes that aren't in your current scale. Cm7 expression (7 9 3 5) with single tune note (C) played to intriguing rhythm.
jazz piano improvisation rhythms musicians will play from a wide array of pre-written melodious forms, which are placed prior to a 'target note' (usually a chord tone, 1 3 5 7). Initially let's establish the 'appropriate notes' - generally I would certainly play from the dorian range over small 7 chord.
Most jazz piano solos include a section where the melody stops, and the pianist plays a collection of chord voicings, to an interesting rhythm. These consist of chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.
So as opposed to playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same size. The first improvisation technique is 'chord tone soloing', which means to make up tunes making use of the four chord tones of the chord (1 3 5 7).
I usually play all-natural 9ths over a lot of chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' seems ideal if you play your right-hand man noisally, and left hand (chord) a bit more quiet - to ensure that the audience hears the melody note on top.
Simply precede any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (with the whole chromatic scale), and make note of all the notes that aren't in your current scale. Cm7 expression (7 9 3 5) with single tune note (C) played to intriguing rhythm.
jazz piano improvisation rhythms musicians will play from a wide array of pre-written melodious forms, which are placed prior to a 'target note' (usually a chord tone, 1 3 5 7). Initially let's establish the 'appropriate notes' - generally I would certainly play from the dorian range over small 7 chord.
Most jazz piano solos include a section where the melody stops, and the pianist plays a collection of chord voicings, to an interesting rhythm. These consist of chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.
