All set to enhance your jazz improvisation skills for the piano? More just, if you're playing a tune that remains in swing time, after that you're already playing to a triplet feel (you're picturing that each beat is split into three 8th note triplets - and every off-beat you play is postponed and played on the third triplet note (so you're not also playing two evenly spaced 8th notes to begin with).
So as opposed to playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same length. The initial improvisation technique is 'chord tone soloing', which indicates to make up tunes making use of the four chord tones of the chord (1 3 5 7).
I generally play all-natural 9ths over most chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' sounds best if you play your right-hand man noisally, and left hand (chord) a little bit more quiet - to ensure that the audience hears the melody note on top.
It's great for these units ahead out of scale, as long as they wind up solving to the 'target note' - which will normally be just one of the chord tones. The 'chord range above' technique - come before any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three evenly spaced notes in the area of 2.
jazz piano Improvisation musicians will play from a wide array of pre-written ariose forms, which are placed prior to a 'target note' (generally a chord tone, 1 3 5 7). First let's establish the 'right notes' - usually I would certainly play from the dorian range over minor 7 chord.
Most jazz piano solos feature an area where the melody stops, and the pianist plays a series of chord expressions, to an interesting rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and a lot more.
So as opposed to playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same length. The initial improvisation technique is 'chord tone soloing', which indicates to make up tunes making use of the four chord tones of the chord (1 3 5 7).
I generally play all-natural 9ths over most chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' sounds best if you play your right-hand man noisally, and left hand (chord) a little bit more quiet - to ensure that the audience hears the melody note on top.
It's great for these units ahead out of scale, as long as they wind up solving to the 'target note' - which will normally be just one of the chord tones. The 'chord range above' technique - come before any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three evenly spaced notes in the area of 2.
jazz piano Improvisation musicians will play from a wide array of pre-written ariose forms, which are placed prior to a 'target note' (generally a chord tone, 1 3 5 7). First let's establish the 'right notes' - usually I would certainly play from the dorian range over minor 7 chord.
Most jazz piano solos feature an area where the melody stops, and the pianist plays a series of chord expressions, to an interesting rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and a lot more.