It's all concerning discovering jazz language when it comes to becoming an excellent jazz improvisation techniques improviser. So unlike the 'half-step below approach' (which can be outside the range), when coming close to from above it appears far better when you keep your notes within the range that you're in. That's why it's called the 'chord range above' method - it stays in the scale.

If you're playing in C dorian scale, the incorrect notes (missing notes) will be C# E F# G # B (or the notes of E significant pentatonic scale). Half-step below - chord range over - target note (e.g. C# - E - D). In this post I'll show you 6 improvisation techniques for jazz piano (or any instrument).

For this to function, it requires to be the following note up within the scale that the songs is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any kind of note size (fifty percent note, quarter note, eighth note) - however when soloing, it's normally applied to 8th notes.

It's fine for these rooms to find out of range, as long as they wind up fixing to the 'target note' - which will generally be one of the chord tones. The 'chord range above' strategy - precede any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three equally spaced notes in the room of two.

Now you could play this 5 note range (the incorrect notes) over the exact same C small 7 chord in your left hand. With this technique you simply play the same notes that you're currently playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).

A lot of jazz piano solos feature an area where the tune stops, and the pianist plays a series of chord voicings, to an intriguing rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and extra.