It's all about finding out jazz language when it comes to ending up being an excellent jazz improviser. So unlike the 'half-step listed below approach' (which can be outside the range), when coming close to from above it seems far better when you maintain your notes within the scale that you're in. That's why it's called the 'chord range above' method - it remains in the scale.

So as opposed to playing 2 eight notes straight, which would last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 '8th note triplet' notes - where each note of the triplet is the same size. The first improvisation strategy is 'chord tone soloing', which suggests to make up melodies making use of the four chord tones of the chord (1 3 5 7).

For this to function, it needs to be the next note up within the scale that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any note length (half note, quarter note, eighth note) - yet when soloing, it's usually related to 8th notes.

It's fine for these units to find out of scale, as long as they end up resolving to the 'target note' - which will normally be one of the chord tones. The 'chord range over' approach - come before any chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 equally spaced notes in the space of 2.

Jazz musicians will certainly play from a variety of pre-written melodious shapes, which are positioned before a 'target note' (typically a chord tone, 1 3 5 7). First let's establish the 'correct notes' - typically I would certainly play from the dorian range over small 7 chord.

NOTE: You also obtain a nice series of actions to play, from 7 - 1 - 9 - 3 - if you wish to play a brief scale in your solo. However, to stop your playing from sounding predictable (and break out of eighth note pattern), you require to vary the rhythms now and Bookmarks then.