When it concerns becoming a great jazz improviser, it's all about finding out jazz language. So unlike the 'half-step listed below strategy' (which can be outside the range), when approaching from over it seems much better when you maintain your notes within the scale that you're in. That's why it's called the 'chord scale over' approach - it stays in the scale.

So instead of playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which indicates to make up melodies making use of the four chord tones of the chord (1 3 5 7).

I generally play natural 9ths above a lot of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' sounds ideal if you play your right-hand man loudly, and left hand (chord) a little bit quieter - to make sure that the listener listens to the melody note on the top.

It's fine for these rooms to find out of range, as long as they wind up dealing with to the 'target note' - which will generally be among the chord tones. The 'chord range over' approach - come before any chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 uniformly spaced notes in the room of two.

Now you might play this 5 note scale (the wrong notes) over the exact same C small 7 chord in your left hand. With this method you simply play the very same notes that you're currently playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).

The majority of jazz piano improvisation for beginners piano solos feature a section where the melody quits, and the pianist plays a collection of chord expressions, to an intriguing rhythm. These include chord tone soloing, approach patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.