It's all concerning finding out jazz piano improvisation book language when it comes to coming to be a great jazz improviser. So unlike the 'half-step below strategy' (which can be outside the scale), when coming close to from above it sounds much better when you maintain your notes within the range that you remain in. That's why it's called the 'chord scale above' strategy - it remains in the scale.

So rather than playing two eight notes straight, which would last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation method is 'chord tone soloing', which suggests to make up melodies utilizing the 4 chord tones of the chord (1 3 5 7).

I normally play natural 9ths above a lot of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' appears best if you play your right hand noisally, and left hand (chord) a little bit more quiet - to make sure that the audience listens to the melody note ahead.

Simply precede any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (through the whole colorful range), and make note of all the notes that aren't in your current scale. Cm7 enunciation (7 9 3 5) with single melody note (C) played to fascinating rhythm.

Now you can play this 5 note scale (the incorrect notes) over the same C small 7 chord in your left hand. With this strategy you just play the exact same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).

A lot of jazz piano solos include an area where the melody stops, and the pianist plays a collection of chord enunciations, to a fascinating rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal structures', 'playing out' and a lot more.