Prepared to boost your jazz improvisation abilities for the piano? More merely, if you're playing a track that remains in swing time, Bookmarks then you're already playing to a triplet feeling (you're visualizing that each beat is separated right into three eighth note triplets - and every off-beat you play is postponed and played on the 3rd triplet note (so you're not also playing two equally spaced eighth notes to start with).

So instead of playing 2 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into 3 '8th note triplet' notes - where each note of the triplet is the same length. The initial improvisation strategy is 'chord tone soloing', which indicates to compose tunes using the 4 chord tones of the chord (1 3 5 7).

I usually play natural 9ths above most chords - including all 3 chords of the significant ii-V-I. This 'chordal appearance' appears best if you play your right hand loudly, and left hand (chord) a bit more quiet - to ensure that the listener hears the melody note on top.

It's great for these rooms ahead out of scale, as long as they end up resolving to the 'target note' - which will usually be just one of the chord tones. The 'chord scale over' approach - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 evenly spaced notes in the space of 2.

Jazz musicians will certainly play from a variety of pre-written melodic shapes, which are positioned before a 'target note' (generally a chord tone, 1 3 5 7). Initially let's establish the 'appropriate notes' - normally I would certainly play from the dorian range over minor 7 chord.

The majority of jazz piano solos include an area where the melody stops, and the pianist plays a series of chord enunciations, to a fascinating rhythm. These include chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.