It's all concerning learning jazz piano technique exercises language when it comes to becoming a great jazz improviser. So unlike the 'half-step below approach' (which can be outside the range), when coming close to from above it sounds better when you keep your notes within the scale that you remain in. That's why it's called the 'chord scale over' strategy - it stays in the range.
So rather than playing two eight notes straight, which would last one quarter note ('one' - 'and'), you can split that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same size. The first improvisation strategy is 'chord tone soloing', which suggests to compose tunes making use of the four chord tones of the chord (1 3 5 7).
I normally play all-natural 9ths over many chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears best if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the audience hears the melody note on top.
It's great for these units ahead out of range, as long as they end up fixing to the 'target note' - which will normally be one of the chord tones. The 'chord range above' approach - come before any kind of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play three uniformly spaced notes in the space of 2.
Jazz artists will certainly play from a variety of pre-written ariose forms, which are placed prior to a 'target note' (normally a chord tone, 1 3 5 7). Initially allow's develop the 'right notes' - usually I would certainly play from the dorian range over minor 7 chord.
KEEP IN MIND: You also get a great series of actions to play, from 7 - 1 - 9 - 3 - if you intend to play a brief scale in your solo. Nevertheless, to quit your having fun from sounding foreseeable (and burst out of 8th note pattern), you require to vary the rhythms now and then.
So rather than playing two eight notes straight, which would last one quarter note ('one' - 'and'), you can split that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same size. The first improvisation strategy is 'chord tone soloing', which suggests to compose tunes making use of the four chord tones of the chord (1 3 5 7).
I normally play all-natural 9ths over many chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears best if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the audience hears the melody note on top.
It's great for these units ahead out of range, as long as they end up fixing to the 'target note' - which will normally be one of the chord tones. The 'chord range above' approach - come before any kind of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play three uniformly spaced notes in the space of 2.
Jazz artists will certainly play from a variety of pre-written ariose forms, which are placed prior to a 'target note' (normally a chord tone, 1 3 5 7). Initially allow's develop the 'right notes' - usually I would certainly play from the dorian range over minor 7 chord.
KEEP IN MIND: You also get a great series of actions to play, from 7 - 1 - 9 - 3 - if you intend to play a brief scale in your solo. Nevertheless, to quit your having fun from sounding foreseeable (and burst out of 8th note pattern), you require to vary the rhythms now and then.
