When it comes to ending up being a great jazz improviser, it's everything about discovering jazz piano improvisation sheet music language. So unlike the 'half-step listed below approach' (which can be outside the range), when approaching from over it seems far better when you maintain your notes within the range that you remain in. That's why it's called the 'chord range over' strategy - it stays in the range.
So instead of playing 2 eight notes in a row, which would last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which means to compose tunes using the 4 chord tones of the chord (1 3 5 7).
I generally play natural 9ths over many chords - including all 3 chords of the significant ii-V-I. This 'chordal appearance' seems best if you play your right hand noisally, and left hand (chord) a bit quieter - to make sure that the audience listens to the melody note ahead.
It's great for these rooms to come out of scale, as long as they wind up dealing with to the 'target note' - which will usually be just one of the chord tones. The 'chord range above' strategy - precede any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 uniformly spaced notes in the room of 2.
Now you can play this 5 note range (the wrong notes) over the same C minor 7 chord in your left hand. With this technique you just play the very same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
NOTE: You also obtain a good collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a brief range in your solo. Nonetheless, to quit your having fun from appearing foreseeable (and burst out of eighth note pattern), you need to differ the rhythms from time to time.
So instead of playing 2 eight notes in a row, which would last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which means to compose tunes using the 4 chord tones of the chord (1 3 5 7).
I generally play natural 9ths over many chords - including all 3 chords of the significant ii-V-I. This 'chordal appearance' seems best if you play your right hand noisally, and left hand (chord) a bit quieter - to make sure that the audience listens to the melody note ahead.
It's great for these rooms to come out of scale, as long as they wind up dealing with to the 'target note' - which will usually be just one of the chord tones. The 'chord range above' strategy - precede any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 uniformly spaced notes in the room of 2.
Now you can play this 5 note range (the wrong notes) over the same C minor 7 chord in your left hand. With this technique you just play the very same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
NOTE: You also obtain a good collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a brief range in your solo. Nonetheless, to quit your having fun from appearing foreseeable (and burst out of eighth note pattern), you need to differ the rhythms from time to time.