It's all about discovering jazz language when it comes to ending up being a fantastic jazz piano improvisation techniques improviser. So unlike the 'half-step listed below strategy' (which can be outside the scale), when approaching from over it sounds far better when you maintain your notes within the range that you remain in. That's why it's called the 'chord range over' approach - it remains in the scale.
So as opposed to playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The very first improvisation technique is 'chord tone soloing', which indicates to compose melodies using the 4 chord tones of the chord (1 3 5 7).
For this to work, it needs to be the following note up within the range that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any note size (fifty percent note, quarter note, eighth note) - but when soloing, it's normally put on eighth notes.
It's fine for these enclosures ahead out of range, as long as they wind up settling to the 'target note' - which will normally be just one of the chord tones. The 'chord range over' technique - precede any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three equally spaced notes in the room of 2.
Jazz musicians will play from a wide range of pre-written melodious shapes, which are positioned prior to a 'target note' (normally a chord tone, 1 3 5 7). Initially let's establish the 'correct notes' - normally I would certainly play from the dorian range over minor 7 chord.
NOTE: You also get a nice collection of actions to play, from 7 - 1 - 9 - 3 - if you want to play a short range in your solo. However, to stop your having fun from sounding foreseeable (and break out of eighth note pattern), you need to differ the rhythms every now and then.
So as opposed to playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The very first improvisation technique is 'chord tone soloing', which indicates to compose melodies using the 4 chord tones of the chord (1 3 5 7).
For this to work, it needs to be the following note up within the range that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any note size (fifty percent note, quarter note, eighth note) - but when soloing, it's normally put on eighth notes.
It's fine for these enclosures ahead out of range, as long as they wind up settling to the 'target note' - which will normally be just one of the chord tones. The 'chord range over' technique - precede any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three equally spaced notes in the room of 2.
Jazz musicians will play from a wide range of pre-written melodious shapes, which are positioned prior to a 'target note' (normally a chord tone, 1 3 5 7). Initially let's establish the 'correct notes' - normally I would certainly play from the dorian range over minor 7 chord.
NOTE: You also get a nice collection of actions to play, from 7 - 1 - 9 - 3 - if you want to play a short range in your solo. However, to stop your having fun from sounding foreseeable (and break out of eighth note pattern), you need to differ the rhythms every now and then.