It's all about learning jazz language when it comes to ending up being a great jazz improviser. So unlike the 'half-step below strategy' (which can be outside the range), when coming close to from over it appears much better when you keep your notes within the range that you're in. That's why it's called the 'chord scale above' strategy - it remains in the range.
So instead of playing two 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which suggests to compose melodies utilizing the 4 chord tones of the chord (1 3 5 7).
For this to work, it requires to be the following note up within the range that the songs is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any note length (fifty percent note, quarter note, eighth note) - yet when soloing, it's generally applied to eighth notes.
It's great for these enclosures to come out of scale, as long as they end up settling to the 'target note' - which will typically be one of the chord tones. The 'chord scale over' approach - come before any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the space of 2.
Jazz musicians will play from a wide array of pre-written ariose shapes, which are positioned prior to a 'target note' (typically a chord tone, 1 3 5 7). Initially let's establish the 'right notes' - normally I 'd play from the dorian scale over small 7 chord.
The majority of jazz piano improvisation rhythms piano solos include an area where the melody quits, and the pianist plays a series of chord expressions, to an interesting rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.
So instead of playing two 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which suggests to compose melodies utilizing the 4 chord tones of the chord (1 3 5 7).
For this to work, it requires to be the following note up within the range that the songs is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any note length (fifty percent note, quarter note, eighth note) - yet when soloing, it's generally applied to eighth notes.
It's great for these enclosures to come out of scale, as long as they end up settling to the 'target note' - which will typically be one of the chord tones. The 'chord scale over' approach - come before any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the space of 2.
Jazz musicians will play from a wide array of pre-written ariose shapes, which are positioned prior to a 'target note' (typically a chord tone, 1 3 5 7). Initially let's establish the 'right notes' - normally I 'd play from the dorian scale over small 7 chord.
The majority of jazz piano improvisation rhythms piano solos include an area where the melody quits, and the pianist plays a series of chord expressions, to an interesting rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.
