When it involves ending up being a wonderful jazz improviser, it's all about finding out jazz language. So unlike the 'half-step below method' (which can be outside the scale), when coming close how to learn jazz piano improvisation from over it appears better when you maintain your notes within the scale that you're in. That's why it's called the 'chord scale above' method - it remains in the scale.

If you're playing in C dorian range, the incorrect notes (absent notes) will be C# E F# G # B (or the notes of E significant pentatonic range). Half-step listed below - chord scale above - target note (e.g. C# - E - D). In this short article I'll show you 6 improvisation strategies for jazz piano (or any instrument).

I generally play all-natural 9ths above many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' seems best if you play your right hand noisally, and left hand (chord) a bit quieter - to ensure that the listener listens to the melody note on top.

Merely come before any chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (via the whole colorful scale), and make note of all the notes that aren't in your existing scale. Cm7 voicing (7 9 3 5) with solitary tune note (C) played to interesting rhythm.

Now you could play this 5 note scale (the incorrect notes) over the same C minor 7 chord in your left hand. With this technique you just play the exact same notes that you're currently playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).

A lot of jazz piano solos include an area where the tune stops, and the pianist plays a collection of chord enunciations, to an interesting rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal structures', 'playing out' and extra.