When it involves becoming an excellent jazz improviser, it's all about learning jazz language. So unlike the 'half-step listed below strategy' (which can be outside the range), when approaching from above it sounds much better when you maintain your notes within the scale that you remain in. That's why it's called the 'chord range over' method - it remains in the range.
So instead of playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation method is 'chord tone soloing', which suggests to compose melodies making use of the four chord tones of the chord (1 3 5 7).
For this to function, it needs to be the following note up within the scale that the songs is in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note size (half note, quarter note, 8th note) - but when soloing, it's typically related to 8th notes.
Simply come before any kind of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (through the whole chromatic scale), and make note of all the notes that aren't in your current scale. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.
Currently you could play this 5 note range (the wrong notes) over the very same C small 7 chord in your left hand. With this technique you simply play the same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).
The majority of jazz piano improvisation piano solos include an area where the tune quits, and the pianist plays a series of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, technique patterns, triplet rhythms, 'chordal structures', 'playing out' and extra.
So instead of playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation method is 'chord tone soloing', which suggests to compose melodies making use of the four chord tones of the chord (1 3 5 7).
For this to function, it needs to be the following note up within the scale that the songs is in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note size (half note, quarter note, 8th note) - but when soloing, it's typically related to 8th notes.
Simply come before any kind of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (through the whole chromatic scale), and make note of all the notes that aren't in your current scale. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.
Currently you could play this 5 note range (the wrong notes) over the very same C small 7 chord in your left hand. With this technique you simply play the same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).
The majority of jazz piano improvisation piano solos include an area where the tune quits, and the pianist plays a series of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, technique patterns, triplet rhythms, 'chordal structures', 'playing out' and extra.