It's all concerning learning jazz language when it comes to becoming a fantastic jazz piano improvisation book improviser. So unlike the 'half-step below method' (which can be outside the range), when approaching from above it appears far better when you keep your notes within the scale that you're in. That's why it's called the 'chord range over' approach - it stays in the scale.

If you're playing in C dorian range, the wrong notes (absent notes) will be C# E F# G # B (or the notes of E significant pentatonic scale). Half-step below - chord range above - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation methods for jazz piano (or any instrument).

For this to work, it needs to be the next note up within the scale that the music remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note length (half note, quarter note, eighth note) - however when soloing, it's usually put on 8th notes.

Merely precede any kind of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (through the entire chromatic range), and make note of all the notes that aren't in your existing range. Cm7 enunciation (7 9 3 5) with solitary melody note (C) played to intriguing rhythm.

Now you can play this 5 note range (the incorrect notes) over the exact same C small 7 chord in your left hand. With this method you simply play the exact same notes that you're already playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).

A lot of jazz piano solos include a section where the melody quits, and the pianist plays a series of chord voicings, to an intriguing rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.