Prepared to boost your jazz improvisation techniques improvisation abilities for the piano? Much more simply, if you're playing a tune that remains in swing time, after that you're already playing to a triplet feeling (you're picturing that each beat is divided into three 8th note triplets - and every off-beat you play is postponed and used the third triplet note (so you're not also playing two equally spaced eighth notes to start with).
So as opposed to playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into 3 '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation strategy is 'chord tone soloing', which implies to compose tunes utilizing the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths over the majority of chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' sounds finest if you play your right-hand man loudly, and left hand (chord) a bit more quiet - to ensure that the listener hears the melody note ahead.
Just precede any type of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the entire chromatic range), and make note of all the notes that aren't in your present scale. Cm7 enunciation (7 9 3 5) with single melody note (C) played to fascinating rhythm.
Now you might play this 5 note scale (the wrong notes) over the very same C small 7 chord in your left hand. With this strategy you just play the exact same notes that you're currently playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
NOTE: You also get a great series of steps to play, from 7 - 1 - 9 - 3 - if you wish to play a brief scale in your solo. However, to stop your playing from seeming predictable (and burst out of 8th note pattern), you need to vary the rhythms once in a while.
So as opposed to playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into 3 '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation strategy is 'chord tone soloing', which implies to compose tunes utilizing the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths over the majority of chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' sounds finest if you play your right-hand man loudly, and left hand (chord) a bit more quiet - to ensure that the listener hears the melody note ahead.
Just precede any type of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the entire chromatic range), and make note of all the notes that aren't in your present scale. Cm7 enunciation (7 9 3 5) with single melody note (C) played to fascinating rhythm.
Now you might play this 5 note scale (the wrong notes) over the very same C small 7 chord in your left hand. With this strategy you just play the exact same notes that you're currently playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
NOTE: You also get a great series of steps to play, from 7 - 1 - 9 - 3 - if you wish to play a brief scale in your solo. However, to stop your playing from seeming predictable (and burst out of 8th note pattern), you need to vary the rhythms once in a while.
