It's all regarding learning jazz language when it comes to ending up being an excellent jazz piano improvisation improviser. So unlike the 'half-step listed below technique' (which can be outside the scale), when coming close to from above it sounds much better when you keep your notes within the range that you're in. That's why it's called the 'chord scale over' method - it remains in the scale.
So instead of playing 2 eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same length. The first improvisation method is 'chord tone soloing', which indicates to make up tunes using the 4 chord tones of the chord (1 3 5 7).
For this to function, it needs to be the next note up within the range that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be applied to any kind of note length (fifty percent note, quarter note, 8th note) - yet when soloing, it's normally put on 8th notes.
Merely come before any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (with the entire chromatic range), and make note of all the notes that aren't in your current range. Cm7 enunciation (7 9 3 5) with single tune note (C) played to fascinating rhythm.
Jazz musicians will certainly play from a wide array of pre-written melodious shapes, which are positioned prior to a 'target note' (typically a chord tone, 1 3 5 7). Initially let's establish the 'appropriate notes' - typically I would certainly play from the dorian range over small 7 chord.
Many jazz piano solos feature a section where the melody stops, and the pianist plays a series of chord voicings, to an interesting rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
So instead of playing 2 eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same length. The first improvisation method is 'chord tone soloing', which indicates to make up tunes using the 4 chord tones of the chord (1 3 5 7).
For this to function, it needs to be the next note up within the range that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be applied to any kind of note length (fifty percent note, quarter note, 8th note) - yet when soloing, it's normally put on 8th notes.
Merely come before any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (with the entire chromatic range), and make note of all the notes that aren't in your current range. Cm7 enunciation (7 9 3 5) with single tune note (C) played to fascinating rhythm.
Jazz musicians will certainly play from a wide array of pre-written melodious shapes, which are positioned prior to a 'target note' (typically a chord tone, 1 3 5 7). Initially let's establish the 'appropriate notes' - typically I would certainly play from the dorian range over small 7 chord.
Many jazz piano solos feature a section where the melody stops, and the pianist plays a series of chord voicings, to an interesting rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
