When it concerns coming to be a fantastic jazz improviser, it's all about discovering jazz piano improvisation course language. So unlike the 'half-step below method' (which can be outside the scale), when coming close to from above it appears far better when you maintain your notes within the range that you remain in. That's why it's called the 'chord scale over' technique - it remains in the scale.
So instead of playing 2 eight notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note into three 'eighth note triplet' notes - where each note of the triplet coincides size. The initial improvisation strategy is 'chord tone soloing', which indicates to compose melodies using the 4 chord tones of the chord (1 3 5 7).
For this to work, it needs to be the next note up within the range that the music remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note size (half note, quarter note, eighth note) - but when soloing, it's normally related to 8th notes.
Just come before any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the whole chromatic range), and make note of all the notes that aren't in your present range. Cm7 voicing (7 9 3 5) with solitary tune note (C) played to interesting rhythm.
Currently you might play this 5 note range (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you simply play the very same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
NOTE: You also get a good collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a brief range in your solo. Nevertheless, to quit your playing from seeming predictable (and burst out of 8th note pattern), you require to differ the rhythms from time to time.
So instead of playing 2 eight notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note into three 'eighth note triplet' notes - where each note of the triplet coincides size. The initial improvisation strategy is 'chord tone soloing', which indicates to compose melodies using the 4 chord tones of the chord (1 3 5 7).
For this to work, it needs to be the next note up within the range that the music remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note size (half note, quarter note, eighth note) - but when soloing, it's normally related to 8th notes.
Just come before any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the whole chromatic range), and make note of all the notes that aren't in your present range. Cm7 voicing (7 9 3 5) with solitary tune note (C) played to interesting rhythm.
Currently you might play this 5 note range (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you simply play the very same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
NOTE: You also get a good collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a brief range in your solo. Nevertheless, to quit your playing from seeming predictable (and burst out of 8th note pattern), you require to differ the rhythms from time to time.