All set to enhance your jazz piano improvisation techniques improvisation abilities for the piano? Much more simply, if you're playing a song that remains in swing time, then you're already playing to a triplet feel (you're visualizing that each beat is split right into three eighth note triplets - and every off-beat you play is postponed and played on the 3rd triplet note (so you're not even playing 2 equally spaced 8th notes to start with).
So rather than playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into 3 '8th note triplet' notes - where each note of the triplet coincides length. The first improvisation technique is 'chord tone soloing', which suggests to make up tunes utilizing the 4 chord tones of the chord (1 3 5 7).
I generally play natural 9ths above most chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' seems ideal if you play your right hand loudly, and left hand (chord) a little bit more quiet - to ensure that the listener listens to the melody note on the top.
Merely come before any kind of chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (through the whole colorful range), and make note of all the notes that aren't in your existing scale. Cm7 expression (7 9 3 5) with solitary tune note (C) played to intriguing rhythm.
Now you might play this 5 note scale (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you just play the exact same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
KEEP IN MIND: You likewise get a wonderful series of steps to play, from 7 - 1 - 9 - 3 - if you want to play a short range in your solo. Nonetheless, to quit your playing from appearing foreseeable (and burst out of 8th note pattern), you need to vary the rhythms now and then.
So rather than playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into 3 '8th note triplet' notes - where each note of the triplet coincides length. The first improvisation technique is 'chord tone soloing', which suggests to make up tunes utilizing the 4 chord tones of the chord (1 3 5 7).
I generally play natural 9ths above most chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' seems ideal if you play your right hand loudly, and left hand (chord) a little bit more quiet - to ensure that the listener listens to the melody note on the top.
Merely come before any kind of chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (through the whole colorful range), and make note of all the notes that aren't in your existing scale. Cm7 expression (7 9 3 5) with solitary tune note (C) played to intriguing rhythm.
Now you might play this 5 note scale (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you just play the exact same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
KEEP IN MIND: You likewise get a wonderful series of steps to play, from 7 - 1 - 9 - 3 - if you want to play a short range in your solo. Nonetheless, to quit your playing from appearing foreseeable (and burst out of 8th note pattern), you need to vary the rhythms now and then.