It's all about discovering jazz language when it comes to ending up being a great Jazz Piano Improvisation improviser. So unlike the 'half-step below method' (which can be outside the scale), when approaching from above it seems far better when you maintain your notes within the range that you remain in. That's why it's called the 'chord range above' strategy - it remains in the scale.
So as opposed to playing 2 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same length. The very first improvisation strategy is 'chord tone soloing', which indicates to compose melodies utilizing the four chord tones of the chord (1 3 5 7).
For this to work, it needs to be the following note up within the range that the music remains in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any kind of note length (half note, quarter note, eighth note) - however when soloing, it's generally put on 8th notes.
Just come before any type of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the whole chromatic scale), and make note of all the notes that aren't in your existing range. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.
Jazz musicians will play from a wide variety of pre-written melodic forms, which are placed before a 'target note' (typically a chord tone, 1 3 5 7). First let's establish the 'correct notes' - usually I would certainly play from the dorian range over minor 7 chord.
The majority of jazz piano solos include a section where the melody quits, and the pianist plays a collection of chord expressions, to a fascinating rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.
So as opposed to playing 2 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same length. The very first improvisation strategy is 'chord tone soloing', which indicates to compose melodies utilizing the four chord tones of the chord (1 3 5 7).
For this to work, it needs to be the following note up within the range that the music remains in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any kind of note length (half note, quarter note, eighth note) - however when soloing, it's generally put on 8th notes.
Just come before any type of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the whole chromatic scale), and make note of all the notes that aren't in your existing range. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.
Jazz musicians will play from a wide variety of pre-written melodic forms, which are placed before a 'target note' (typically a chord tone, 1 3 5 7). First let's establish the 'correct notes' - usually I would certainly play from the dorian range over minor 7 chord.
The majority of jazz piano solos include a section where the melody quits, and the pianist plays a collection of chord expressions, to a fascinating rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.