When it comes to ending up being a great jazz piano improvisation improviser, it's everything about finding out jazz language. So unlike the 'half-step below strategy' (which can be outside the range), when approaching from above it sounds much better when you keep your notes within the range that you're in. That's why it's called the 'chord range over' method - it remains in the scale.
So as opposed to playing two eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into three '8th note triplet' notes - where each note of the triplet coincides size. The initial improvisation method is 'chord tone soloing', which means to make up melodies utilizing the four chord tones of the chord (1 3 5 7).
I generally play all-natural 9ths above most chords - including all 3 chords of the major ii-V-I. This 'chordal structure' sounds best if you play your right-hand man noisally, and left hand (chord) a bit more quiet - so that the listener listens to the melody note on the top.
It's fine for these enclosures to come out of scale, as long as they wind up dealing with to the 'target note' - which will usually be one of the chord tones. The 'chord scale above' strategy - come before any kind of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play three evenly spaced notes in the space of 2.
Currently you could play this 5 note range (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this technique you just play the exact same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
KEEP IN MIND: You likewise obtain a nice series of steps to play, from 7 - 1 - 9 - 3 - if you want to play a brief scale in your solo. Nevertheless, to stop your having fun from seeming foreseeable (and break out of 8th note pattern), you need to differ the rhythms from time to time.
So as opposed to playing two eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into three '8th note triplet' notes - where each note of the triplet coincides size. The initial improvisation method is 'chord tone soloing', which means to make up melodies utilizing the four chord tones of the chord (1 3 5 7).
I generally play all-natural 9ths above most chords - including all 3 chords of the major ii-V-I. This 'chordal structure' sounds best if you play your right-hand man noisally, and left hand (chord) a bit more quiet - so that the listener listens to the melody note on the top.
It's fine for these enclosures to come out of scale, as long as they wind up dealing with to the 'target note' - which will usually be one of the chord tones. The 'chord scale above' strategy - come before any kind of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play three evenly spaced notes in the space of 2.
Currently you could play this 5 note range (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this technique you just play the exact same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
KEEP IN MIND: You likewise obtain a nice series of steps to play, from 7 - 1 - 9 - 3 - if you want to play a brief scale in your solo. Nevertheless, to stop your having fun from seeming foreseeable (and break out of 8th note pattern), you need to differ the rhythms from time to time.