It's all about finding out jazz piano techniques language when it comes to becoming a great jazz improviser. So unlike the 'half-step below strategy' (which can be outside the range), when approaching from over it appears much better when you keep your notes within the range that you're in. That's why it's called the 'chord range above' strategy - it stays in the range.
If you're playing in C dorian scale, the wrong notes (missing notes) will be C# E F# G # B (or the notes of E major pentatonic scale). Half-step below - chord range above - target note (e.g. C# - E - D). In this article I'll reveal you 6 improvisation strategies for jazz piano (or any kind of tool).
For this to work, it requires to be the following note up within the scale that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note length (fifty percent note, quarter note, 8th note) - however when soloing, it's generally related to 8th notes.
Just come before any chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (via the whole chromatic range), and make note of all the notes that aren't in your present scale. Cm7 expression (7 9 3 5) with solitary tune note (C) played to intriguing rhythm.
Currently you can play this 5 note scale (the wrong notes) over the exact same C small 7 chord in your left hand. With this technique you just play the exact same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos feature a section where the melody quits, and the pianist plays a collection of chord expressions, to an interesting rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.
If you're playing in C dorian scale, the wrong notes (missing notes) will be C# E F# G # B (or the notes of E major pentatonic scale). Half-step below - chord range above - target note (e.g. C# - E - D). In this article I'll reveal you 6 improvisation strategies for jazz piano (or any kind of tool).
For this to work, it requires to be the following note up within the scale that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note length (fifty percent note, quarter note, 8th note) - however when soloing, it's generally related to 8th notes.
Just come before any chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (via the whole chromatic range), and make note of all the notes that aren't in your present scale. Cm7 expression (7 9 3 5) with solitary tune note (C) played to intriguing rhythm.
Currently you can play this 5 note scale (the wrong notes) over the exact same C small 7 chord in your left hand. With this technique you just play the exact same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos feature a section where the melody quits, and the pianist plays a collection of chord expressions, to an interesting rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.