Ready to boost your jazz piano techniques improvisation skills for the piano? Much more just, if you're playing a tune that remains in swing time, then you're currently playing to a triplet feel (you're imagining that each beat is split into 3 8th note triplets - and every off-beat you play is delayed and used the 3rd triplet note (so you're not even playing two equally spaced 8th notes to begin with).
If you're playing in C dorian scale, the incorrect notes (absent notes) will be C# E F# G # B (or the notes of E major pentatonic scale). Half-step below - chord scale over - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation methods for jazz piano (or any type of tool).
I usually play all-natural 9ths over a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears finest if you play your right hand loudly, and left hand (chord) a bit quieter - to ensure that the audience hears the melody note on top.
It's fine for these enclosures to come out of range, as long as they wind up settling to the 'target note' - which will generally be one of the chord tones. The 'chord range above' approach - precede any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play 3 equally spaced notes in the room of 2.
Currently you can play this 5 note scale (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you just play the very same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
A lot of jazz piano solos include an area where the tune quits, and the pianist plays a series of chord voicings, to a fascinating rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal textures', 'playing out' and more.
If you're playing in C dorian scale, the incorrect notes (absent notes) will be C# E F# G # B (or the notes of E major pentatonic scale). Half-step below - chord scale over - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation methods for jazz piano (or any type of tool).
I usually play all-natural 9ths over a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears finest if you play your right hand loudly, and left hand (chord) a bit quieter - to ensure that the audience hears the melody note on top.
It's fine for these enclosures to come out of range, as long as they wind up settling to the 'target note' - which will generally be one of the chord tones. The 'chord range above' approach - precede any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play 3 equally spaced notes in the room of 2.
Currently you can play this 5 note scale (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you just play the very same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
A lot of jazz piano solos include an area where the tune quits, and the pianist plays a series of chord voicings, to a fascinating rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal textures', 'playing out' and more.