It's all regarding learning jazz language when it comes to coming to be a wonderful jazz improviser. So unlike the 'half-step below approach' (which can be outside the scale), when coming close to from over it sounds much better when you maintain your notes within the scale that you're in. That's why it's called the 'chord range over' technique - it remains in the range.

If you're playing in C dorian range, the wrong notes (absent notes) will certainly be C# E F# G # B (or the notes of E significant pentatonic range). Half-step below - chord range over - target note (e.g. C# - E - D). In this post I'll show you 6 improvisation strategies for jazz piano (or any kind of tool).

I usually play natural 9ths above many chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal appearance' appears ideal if you play your right-hand man noisally, and left hand (chord) a bit more quiet - so that the listener hears the melody note on top.

It's great for these enclosures to come out of range, as long as they wind up resolving to the 'target note' - which will generally be among the chord tones. The 'chord scale above' approach - come before any kind of chord tone (1 3 5 7) with the note over. In songs, Bookmarks a 'triplet' is when you play 3 uniformly spaced notes in the area of two.

Now you can play this 5 note range (the incorrect notes) over the same C minor 7 chord in your left hand. With this strategy you simply play the exact same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

A lot of jazz piano solos feature a section where the melody quits, and the pianist plays a series of chord expressions, to a fascinating rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and a lot more.