It's all regarding finding out jazz language when it comes to ending up being an excellent jazz piano standards for beginners improviser. So unlike the 'half-step listed below technique' (which can be outside the range), when approaching from above it sounds better when you maintain your notes within the scale that you're in. That's why it's called the 'chord range over' strategy - it remains in the scale.

So rather than playing 2 eight notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note right into three 'eighth note triplet' notes - where each note of the triplet is the same length. The first improvisation method is 'chord tone soloing', which suggests to compose melodies utilizing the four chord tones of the chord (1 3 5 7).

I generally play all-natural 9ths over a lot of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' sounds ideal if you play your right-hand man noisally, and left hand (chord) a little bit more quiet - to make sure that the listener listens to the melody note on top.

It's great for these rooms to come out of scale, as long as they end up fixing to the 'target note' - which will usually be one of the chord tones. The 'chord range over' method - precede any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play 3 uniformly spaced notes in the space of 2.

Currently you might play this 5 note range (the wrong notes) over the exact same C small 7 chord in your left hand. With this strategy you simply play the exact same notes that you're already playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).

Most jazz piano solos include a section where the tune quits, and the pianist plays a collection of chord expressions, to a fascinating rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.