When it comes to becoming a great jazz improviser, it's all about finding out jazz language. So unlike the 'half-step listed below approach' (which can be outside the range), when approaching from over it sounds far better when you keep your notes within the range that you remain in. That's why it's called the 'chord scale above' approach - it stays in the range.
If you're playing in C dorian range, the incorrect notes (absent notes) will certainly be C# E F# G # B (or the notes of E major pentatonic scale). Half-step below - chord scale above - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation strategies for jazz piano (or any tool).
For this to function, it requires to be the following note up within the range that the music is in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any kind of note size (fifty percent note, quarter note, eighth note) - yet when soloing, it's normally related to eighth notes.
Simply come before any kind of chord tone by playing the note a half-step below. To do this, walk up in half-steps (with the entire colorful range), and make note of all the notes that aren't in your current scale. Cm7 enunciation (7 9 3 5) with single tune note (C) played to intriguing rhythm.
Currently you might play this 5 note scale (the wrong notes) over the very same C minor 7 chord in your left hand. With this method you just play the very same notes that you're currently playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).
A lot of jazz piano improvisation piano solos feature an area where the melody quits, and the pianist plays a collection of chord voicings, to a fascinating rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.
If you're playing in C dorian range, the incorrect notes (absent notes) will certainly be C# E F# G # B (or the notes of E major pentatonic scale). Half-step below - chord scale above - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation strategies for jazz piano (or any tool).
For this to function, it requires to be the following note up within the range that the music is in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any kind of note size (fifty percent note, quarter note, eighth note) - yet when soloing, it's normally related to eighth notes.
Simply come before any kind of chord tone by playing the note a half-step below. To do this, walk up in half-steps (with the entire colorful range), and make note of all the notes that aren't in your current scale. Cm7 enunciation (7 9 3 5) with single tune note (C) played to intriguing rhythm.
Currently you might play this 5 note scale (the wrong notes) over the very same C minor 7 chord in your left hand. With this method you just play the very same notes that you're currently playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).
A lot of jazz piano improvisation piano solos feature an area where the melody quits, and the pianist plays a collection of chord voicings, to a fascinating rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.
