All set to boost your jazz piano techniques improvisation abilities for the piano? More simply, if you're playing a song that's in swing time, after that you're already playing to a triplet feeling (you're imagining that each beat is separated right into 3 eighth note triplets - and every off-beat you play is postponed and played on the third triplet note (so you're not even playing two equally spaced eighth notes to start with).
So as opposed to playing 2 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet coincides size. The first improvisation strategy is 'chord tone soloing', which suggests to compose melodies utilizing the four chord tones of the chord (1 3 5 7).
I normally play all-natural 9ths above most chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' sounds finest if you play your right hand noisally, and left hand (chord) a bit quieter - to ensure that the listener listens to the melody note ahead.
It's fine for these enclosures to find out of scale, as long as they end up fixing to the 'target note' - which will typically be among the chord tones. The 'chord range over' method - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three evenly spaced notes in the area of 2.
Currently you might play this 5 note range (the wrong notes) over the exact same C small 7 chord in your left hand. With this method you simply play the same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos feature a section where the tune stops, and the pianist plays a series of chord voicings, to a fascinating rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.
So as opposed to playing 2 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet coincides size. The first improvisation strategy is 'chord tone soloing', which suggests to compose melodies utilizing the four chord tones of the chord (1 3 5 7).
I normally play all-natural 9ths above most chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' sounds finest if you play your right hand noisally, and left hand (chord) a bit quieter - to ensure that the listener listens to the melody note ahead.
It's fine for these enclosures to find out of scale, as long as they end up fixing to the 'target note' - which will typically be among the chord tones. The 'chord range over' method - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three evenly spaced notes in the area of 2.
Currently you might play this 5 note range (the wrong notes) over the exact same C small 7 chord in your left hand. With this method you simply play the same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos feature a section where the tune stops, and the pianist plays a series of chord voicings, to a fascinating rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.