Ready to enhance your jazz piano techniques improvisation abilities for the piano? A lot more just, if you're playing a track that's in swing time, then you're currently playing to a triplet feeling (you're thinking of that each beat is split into 3 8th note triplets - and every off-beat you play is delayed and used the 3rd triplet note (so you're not even playing two evenly spaced eighth notes to start with).
So rather than playing 2 eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same size. The very first improvisation technique is 'chord tone soloing', which suggests to make up melodies making use of the four chord tones of the chord (1 3 5 7).
For this to function, it requires to be the following note up within the scale that the songs is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note size (fifty percent note, quarter note, eighth note) - yet when soloing, it's typically put on 8th notes.
It's great for these units to come out of range, as long as they end up dealing with to the 'target note' - which will generally be just one of the chord tones. The 'chord scale above' approach - come before any type of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three equally spaced notes in the area of 2.
Now you could play this 5 note scale (the wrong notes) over the same C minor 7 chord in your left hand. With this method you just play the same notes that you're already playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos feature an area where the melody quits, and the pianist plays a collection of chord enunciations, to an intriguing rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and more.
So rather than playing 2 eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same size. The very first improvisation technique is 'chord tone soloing', which suggests to make up melodies making use of the four chord tones of the chord (1 3 5 7).
For this to function, it requires to be the following note up within the scale that the songs is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note size (fifty percent note, quarter note, eighth note) - yet when soloing, it's typically put on 8th notes.
It's great for these units to come out of range, as long as they end up dealing with to the 'target note' - which will generally be just one of the chord tones. The 'chord scale above' approach - come before any type of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three equally spaced notes in the area of 2.
Now you could play this 5 note scale (the wrong notes) over the same C minor 7 chord in your left hand. With this method you just play the same notes that you're already playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano solos feature an area where the melody quits, and the pianist plays a collection of chord enunciations, to an intriguing rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and more.