Prepared to improve your jazz improvisation abilities for the piano? Extra just, if you're playing a tune that's in swing time, then you're already playing to a triplet feeling (you're thinking of that each beat is split right into three eighth note triplets - and every off-beat you play is postponed and used the third triplet note (so you're not even playing 2 uniformly spaced 8th notes to start with).
So instead of playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 '8th note triplet' notes - where each note of the triplet is the same size. The initial improvisation technique is 'chord tone soloing', which means to compose melodies making use of the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths above most chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' seems ideal if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the listener listens to the melody note on the top.
It's great for these units to find out of range, as long as they wind up fixing to the 'target note' - which will typically be just one of the chord tones. The 'chord range over' strategy - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three evenly spaced notes in the area of two.
Currently you can play this 5 note range (the wrong notes) over the very same C small 7 chord in your left hand. With this method you just play the same notes that you're currently playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).
Many jazz improvisation techniques piano solos include a section where the tune stops, and the pianist plays a series of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, technique patterns, triplet rhythms, 'chordal structures', 'playing out' and more.
So instead of playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 '8th note triplet' notes - where each note of the triplet is the same size. The initial improvisation technique is 'chord tone soloing', which means to compose melodies making use of the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths above most chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' seems ideal if you play your right hand loudly, and left hand (chord) a little bit quieter - to make sure that the listener listens to the melody note on the top.
It's great for these units to find out of range, as long as they wind up fixing to the 'target note' - which will typically be just one of the chord tones. The 'chord range over' strategy - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three evenly spaced notes in the area of two.
Currently you can play this 5 note range (the wrong notes) over the very same C small 7 chord in your left hand. With this method you just play the same notes that you're currently playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).
Many jazz improvisation techniques piano solos include a section where the tune stops, and the pianist plays a series of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, technique patterns, triplet rhythms, 'chordal structures', 'playing out' and more.