All set to boost your jazz piano techniques improvisation abilities for the piano? More simply, if you're playing a track that remains in swing time, after that you're already playing to a triplet feel (you're envisioning that each beat is separated into three eighth note triplets - and every off-beat you play is delayed and played on the third triplet note (so you're not even playing 2 uniformly spaced eighth notes to start with).
So as opposed to playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into three '8th note triplet' notes - where each note of the triplet is the same size. The very first improvisation strategy is 'chord tone soloing', which suggests to make up tunes using the 4 chord tones of the chord (1 3 5 7).
I generally play all-natural 9ths over most chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears finest if you play your right hand loudly, and left hand (chord) a little bit more quiet - so that the listener hears the melody note on top.
It's great for these units ahead out of range, as long as they end up fixing to the 'target note' - which will generally be one of the chord tones. The 'chord range over' method - come before any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the space of two.
Jazz musicians will certainly play from a wide range of pre-written ariose shapes, which are put before a 'target note' (usually a chord tone, 1 3 5 7). First let's develop the 'right notes' - usually I would certainly play from the dorian scale over minor 7 chord.
NOTE: You also obtain a nice collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a short range in your solo. Nonetheless, to quit your having fun from sounding foreseeable (and break out of 8th note pattern), you need to vary the rhythms every now and then.
So as opposed to playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into three '8th note triplet' notes - where each note of the triplet is the same size. The very first improvisation strategy is 'chord tone soloing', which suggests to make up tunes using the 4 chord tones of the chord (1 3 5 7).
I generally play all-natural 9ths over most chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears finest if you play your right hand loudly, and left hand (chord) a little bit more quiet - so that the listener hears the melody note on top.
It's great for these units ahead out of range, as long as they end up fixing to the 'target note' - which will generally be one of the chord tones. The 'chord range over' method - come before any chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the space of two.
Jazz musicians will certainly play from a wide range of pre-written ariose shapes, which are put before a 'target note' (usually a chord tone, 1 3 5 7). First let's develop the 'right notes' - usually I would certainly play from the dorian scale over minor 7 chord.
NOTE: You also obtain a nice collection of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a short range in your solo. Nonetheless, to quit your having fun from sounding foreseeable (and break out of 8th note pattern), you need to vary the rhythms every now and then.