It's all concerning finding out jazz piano improvisation sheet music language when it comes to ending up being a fantastic jazz improviser. So unlike the 'half-step below technique' (which can be outside the scale), when coming close to from over it sounds far better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale over' strategy - it stays in the scale.

So rather than playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation method is 'chord tone soloing', which indicates to make up tunes making use of the 4 chord tones of the chord (1 3 5 7).

I normally play all-natural 9ths over many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' appears finest if you play your right-hand man noisally, and left hand (chord) a bit more quiet - so that the listener listens to the melody note on the top.

Simply come before any type of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (with the entire chromatic scale), and make note of all the notes that aren't in your present scale. Cm7 voicing (7 9 3 5) with single tune note (C) played to fascinating rhythm.

Currently you might play this 5 note scale (the wrong notes) over the exact same C small 7 chord in your left hand. With this method you simply play the very same notes that you're currently playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).

Most jazz piano solos include a section where the melody stops, and the pianist plays a series of chord expressions, to an intriguing rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.