When it concerns ending up being a wonderful jazz improviser, it's all about learning jazz language. So unlike the 'half-step below technique' (which can be outside the range), when coming close to from over it seems far better when you keep your notes within the range that you're in. That's why it's called the 'chord range over' strategy - it remains in the range.
So instead of playing two eight notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note into three '8th note triplet' notes - where each note of the triplet coincides size. The first improvisation technique is 'chord tone soloing', which suggests to make up tunes making use of the 4 chord tones of the chord (1 3 5 7).
For this to function, it requires to be the next note up within the range that the songs remains in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any note length (half note, quarter note, 8th note) - yet when soloing, it's typically related to eighth notes.
Merely come before any kind of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the whole chromatic scale), and make note of all the notes that aren't in your present scale. Cm7 expression (7 9 3 5) with single tune note (C) played to interesting rhythm.
Jazz musicians will play from a wide variety of pre-written melodic forms, which are placed before a 'target note' (generally a chord tone, 1 3 5 7). First let's establish the 'right notes' - typically I would certainly play from the dorian range over small 7 chord.
The majority of jazz piano solos feature a section where the tune quits, Bookmarks and the pianist plays a collection of chord voicings, to a fascinating rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.
So instead of playing two eight notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note into three '8th note triplet' notes - where each note of the triplet coincides size. The first improvisation technique is 'chord tone soloing', which suggests to make up tunes making use of the 4 chord tones of the chord (1 3 5 7).
For this to function, it requires to be the next note up within the range that the songs remains in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any note length (half note, quarter note, 8th note) - yet when soloing, it's typically related to eighth notes.
Merely come before any kind of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the whole chromatic scale), and make note of all the notes that aren't in your present scale. Cm7 expression (7 9 3 5) with single tune note (C) played to interesting rhythm.
Jazz musicians will play from a wide variety of pre-written melodic forms, which are placed before a 'target note' (generally a chord tone, 1 3 5 7). First let's establish the 'right notes' - typically I would certainly play from the dorian range over small 7 chord.
The majority of jazz piano solos feature a section where the tune quits, Bookmarks and the pianist plays a collection of chord voicings, to a fascinating rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.