Ready to boost your jazz improvisation abilities for the piano? Extra merely, if you're playing a track that remains in swing time, then you're already playing to a triplet feel (you're picturing that each beat is split into 3 eighth note triplets - and every off-beat you play is postponed and played on the third triplet note (so you're not even playing two uniformly spaced 8th notes to begin with).
If you're playing in C dorian range, the wrong notes (absent notes) will certainly be C# E F# G # B (or the notes of E major pentatonic range). Half-step below - chord range over - target note (e.g. C# - E - D). In this write-up I'll reveal you 6 improvisation techniques for jazz piano (or any instrument).
I usually play all-natural 9ths over a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right-hand man noisally, and left hand (chord) a bit more quiet - so that the listener listens to the melody note on top.
Just precede any chord tone by playing the note a half-step below. To do this, walk up in half-steps (with the whole colorful range), and make note of all the notes that aren't in your existing range. Cm7 voicing (7 9 3 5) with single melody note (C) played to fascinating rhythm.
Now you might play this 5 note scale (the incorrect notes) over the very same C small 7 chord in your left hand. With this technique you just play the very same notes that you're already playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).
A lot of jazz piano solos feature an area where the tune stops, and the pianist plays a series of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, Bookmarks method patterns, triplet rhythms, 'chordal structures', 'playing out' and much more.
If you're playing in C dorian range, the wrong notes (absent notes) will certainly be C# E F# G # B (or the notes of E major pentatonic range). Half-step below - chord range over - target note (e.g. C# - E - D). In this write-up I'll reveal you 6 improvisation techniques for jazz piano (or any instrument).
I usually play all-natural 9ths over a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right-hand man noisally, and left hand (chord) a bit more quiet - so that the listener listens to the melody note on top.
Just precede any chord tone by playing the note a half-step below. To do this, walk up in half-steps (with the whole colorful range), and make note of all the notes that aren't in your existing range. Cm7 voicing (7 9 3 5) with single melody note (C) played to fascinating rhythm.
Now you might play this 5 note scale (the incorrect notes) over the very same C small 7 chord in your left hand. With this technique you just play the very same notes that you're already playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).
A lot of jazz piano solos feature an area where the tune stops, and the pianist plays a series of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, Bookmarks method patterns, triplet rhythms, 'chordal structures', 'playing out' and much more.