When it pertains to ending up being a fantastic jazz improviser, it's everything about learning jazz language. So unlike the 'half-step listed below technique' (which can be outside the scale), when approaching from over it seems far better when you keep your notes within the scale that you remain in. That's why it's called the 'chord range over' strategy - it remains in the range.

So instead of playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The very first improvisation strategy is 'chord tone soloing', which implies to make up melodies using the 4 chord tones of the chord (1 3 5 7).

For this to work, it requires to be the next note up within the range that the music is in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any note length (half note, quarter note, 8th note) - however when soloing, it's normally applied to eighth notes.

Simply precede any chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the whole chromatic range), and make note of all the notes that aren't in your present scale. Cm7 enunciation (7 9 3 5) with solitary melody note (C) played to fascinating rhythm.

Currently you can play this 5 note range (the incorrect notes) over the very same C minor 7 chord in your left hand. With this method you just play the very same notes that you're currently playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).

A lot of jazz piano solos feature a section where the tune stops, Bookmarks and the pianist plays a collection of chord expressions, to a fascinating rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and more.