It's all concerning discovering jazz language when it comes to becoming a terrific jazz improviser. So unlike the 'half-step listed below technique' (which can be outside the range), when approaching from above it appears better when you keep your notes within the range that you remain in. That's why it's called the 'chord range over' strategy - it remains in the range.
So as opposed to playing 2 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which implies to compose melodies making use of the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths above the majority of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right-hand man noisally, and left hand (chord) a bit more quiet - to make sure that the listener listens to the melody note on top.
It's great for these units to find out of range, as long as they wind up dealing with to the 'target note' - which will normally be among the chord tones. The 'chord range over' technique - precede any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 equally spaced notes in the space of 2.
Currently you might play this 5 note range (the wrong notes) over the very same C small 7 chord in your left hand. With this technique you simply play the same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano improvisation exercises pdf piano solos feature a section where the melody quits, and the pianist plays a collection of chord enunciations, to an interesting rhythm. These include chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
So as opposed to playing 2 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which implies to compose melodies making use of the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths above the majority of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right-hand man noisally, and left hand (chord) a bit more quiet - to make sure that the listener listens to the melody note on top.
It's great for these units to find out of range, as long as they wind up dealing with to the 'target note' - which will normally be among the chord tones. The 'chord range over' technique - precede any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 equally spaced notes in the space of 2.
Currently you might play this 5 note range (the wrong notes) over the very same C small 7 chord in your left hand. With this technique you simply play the same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
Most jazz piano improvisation exercises pdf piano solos feature a section where the melody quits, and the pianist plays a collection of chord enunciations, to an interesting rhythm. These include chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
