Ready to improve your jazz improvisation skills for the piano? Much more simply, if you're playing a track that's in swing time, then you're already playing to a triplet feel (you're envisioning that each beat is separated into three eighth note triplets - and every off-beat you play is postponed and played on the third triplet note (so you're not even playing two uniformly spaced eighth notes to begin with).

So instead of playing 2 8 notes straight, which would last one quarter note ('one' - 'and'), you can divide that quarter note into 3 '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation technique is 'chord tone soloing', which indicates to compose tunes using the four chord tones of the chord (1 3 5 7).

For this to work, it requires to be the following note up within the scale that the music is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note size (fifty percent note, quarter note, 8th note) - yet when soloing, it's generally put on eighth notes.

It's great for these units to find out of range, as long as they wind up fixing to the 'target note' - which will typically be one of the chord tones. The 'chord scale above' strategy - come before any kind of chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play 3 equally spaced notes in the space of two.

Currently you can play this 5 note range (the incorrect notes) over the very same C minor 7 chord in your left hand. With this strategy you just play the same notes that you're already playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).

Many jazz piano improvisation rhythms piano solos feature a section where the melody stops, and the pianist plays a collection of chord voicings, to a fascinating rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal structures', 'playing out' and a lot more.